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Theresa Hak Kyung Cha: Multiple Offerings

September 8-March 5, 2028
Main Gallery
Installation view of Theresa Hak Kyung Cha: Multiple Offerings, January 24–April 19, 2026, at the Berkeley Art Museum and Pacific Film Archive (BAMPFA), Berkeley, CA. Photo by Chris Grunder.

Theresa Hak Kyung Cha: Multiple Offerings is the first retrospective in twenty-five years dedicated to the groundbreaking work of the artist Theresa Hak Kyung Cha (b. 1951, Busan, South Korea; d. 1982, New York City). Cha produced an expansive range of works across text-based media, video, and performance, including her posthumously published book, Dictée (1982). The artist’s interdisciplinary practice gave shape to the experimental art scenes in San Francisco, New York City, and beyond.

After emigrating from South Korea to the United States, Cha enrolled in 1969 at UC Berkeley, where she studied art practice, comparative literature, and film. Keenly attuned to the active role that audiences play in the creation of meaning, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation—what she termed a method of “Multiple Telling with Multiple Offering.” The retrospective adopts this framework to allow for a range of entry points into Cha’s work, guiding visitors through the themes—memory, displacement, and the mutability of language, among others—that recur in her oeuvre.

Gathering over one hundred artworks and archival materials from across her short but prolific career, as well as select loans of works by Cha and other artists, Multiple Offerings highlights the inventive, playful, and meditative methods of Cha’s practice while also situating her work within a constellation of artistic forebearers, peers, and contemporary artists for whom she has long been a lodestar. 

Theresa Hak Kyung Cha: Multiple Offerings is organized by Berkeley Art Museum and Pacific Film Archive and curated by Victoria Sung, Phyllis C. Wattis Senior Curator, with Tausif Noor, Curatorial Associate.  Multiple Offerings is drawn from Cha’s archives, which have been housed and cared for at BAMPFA since 1992 following a generous gift from the Theresa Hak Kyung Cha Memorial Foundation.

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Theresa Hak Kyung Cha in 1979

Theresa Hak Kyung Cha in 1979

Photograph by James H. Cha. Gift of the Theresa Hak Kyung Cha Memorial Foundation
Theresa Hak Kyung Cha, Faire-Part, 1976

Theresa Hak Kyung Cha, Faire-Part, 1976

Ink and press type on 15 envelopes. Photograph by Benjamin Blackwell. Gift of the Theresa Hak Kyung Cha Memorial Foundation
Theresa Hak Kyung Cha, Other Things Seen, Other Things Heard (Ailleurs), 1978

Theresa Hak Kyung Cha, Other Things Seen, Other Things Heard (Ailleurs), 1978

Documentation of performance at San Francisco Museum of Modern Art. Photograph by James H. Cha. Gift of the Theresa Hak Kyung Cha Memorial Foundation
Theresa Hak Kyung Cha, Exilée, 1980

Theresa Hak Kyung Cha, Exilée, 1980

Super 8 film and video installation; black and white, sound, 50 min. Installation view of Exilée at San Francisco Art Institute. Gift of the Theresa Hak Kyung Cha Memorial Foundation
Theresa Hak Kyung Cha, Aveugle Voix, 1975

Theresa Hak Kyung Cha, Aveugle Voix, 1975

Documentation of performance rehearsal at Greek Theater, University of California, Berkeley. Photograph by Trip Callaghan. Gift of the Theresa Hak Kyung Cha Memorial Foundation
Theresa Hak Kyung Cha, Still from White Dust From Mongolia, 1980

Theresa Hak Kyung Cha, Still from White Dust From Mongolia, 1980

16mm film; black and white, sound, 30 min. Gift of the Theresa Hak Kyung Cha Memorial Foundation

Exhibition Catalog

Book cover

Theresa Hak Kyung Cha: Multiple Offerings

Edited by Victoria Sung
DelMonico Books, published with Berkeley Art Museum and Pacific Film Archive, 2026
Paperback, 416 pages; 561 illustrations (484 color, 77 black and white)
ISBN: 9781636811963 | $65 

The most comprehensive volume to date on the life and legacy of Korean American artist and writer Theresa Hak Kyung Cha, best known for her 1982 book Dictée. Featuring new scholarship and previously unseen documentation, the monograph spans her work in conceptual art, mail art, film, performance, and poetry. More than 100 works and archival items, drawn primarily from BAMPFA’s collection, reveal aspects of her practice that have not previously been published, including early ceramics and fiber works.

With a foreword by Julie Rodrigues Widholm; texts by Julia Bryan-Wilson, Jordan Carter, Danielle A. Jackson, Mason Leaver-Yap, and Tausif Noor; and a conversation with Na Mira, Cici Wu, and Min Sun Jeon.