The Block Museum of Art and the McCormick School of Engineering at Northwestern University delve into the art and science of ancient artifacts in
On view within the exhibition are a series of rare Roman-Egyptian funerary portraits. Painted on wooden panels between the first and third centuries CE in Egypt, these visages of the dead were originally secured over the face of the deceased within the mummy wrappings.
When these works were excavated at the beginning of the 20th century, they transformed the world with their immediacy, thought to reveal naturalistic, individual likenesses of people who lived 2,000 years ago. Some of the earliest portraits in existence, these paintings offer viewers a face-to-face encounter with the past. The words on one sketch board still bear personal instructions to an artist of an earlier millennium: “(paint the) eyes softer,” it indicates in Greek.
The majority of the objects on view at the Block, excavated from the site of Tebtunis (now Umm-el-
The Mummy Portrait Project: Exhibition as Laboratory
In addition to the objects themselves, “Paint the Eyes Softer” foregrounds innovative techniques for the scientific study of objects. In recent years, the paintings have been the focus of a systematic study conducted by NUACCESS (Northwestern University/Art Institute of Chicago Center for Scientific Studies in the Arts) and UC Berkeley using a variety of imaging techniques. Recent scientific analysis conducted by NU-ACCESS has determined that some of the wood used in the creation of the panels was local, while some of it was brought in from the Balkans in southeastern Europe, opening interesting questions about local economies and long-distance trade. [Learn more about The Tebtunis Project]
Students enrolled in a Fall 2017 advanced undergraduate seminar worked with exhibition curators to continue the research of the NU-ACCESS project, combining materials science, archaeology and museum studies. Students conducted hands-on work in a laboratory environment to assess how ancient materials were made, used and buried and what this data means in a wider archaeological context.
The Tebtunis portraits are complemented within the exhibition by the intact mummy of a young girl from the collection of Garrett-Evangelical Theological Seminary on the Northwestern University campus. This complete mummy with a portrait embedded in its wrappings comes from the site of Hawara, a site close to Tebtunis in the Fayum region of Egypt.
The mummy, known as the Hibbard mummy or Hawara Portrait Mummy No. 4, is a portrait mummy of a young girl, approximately 5 years old. Acquired by the seminary in 2009, the mummy was previously loaned to the Metropolitan Museum of Art in New York in 2000 for an exhibit entitled "Ancient Faces: Mummy Portraits from Ancient Egypt." The Block Museum exhibition has provided a new opportunity to examine this artifact.
In August 2017, researchers worked with Northwestern University Feinberg School of Medicine to run a CT scan of the Hibbard mummy. The mummy was transported to Northwestern Memorial Hospital in downtown Chicago for the scan where scientists were seeking information regarding the cause of death, the diet and the method of mummy wrapping. The CT analysis revealed compelling areas for further inquiry, particularly highlighting the possibility of nonorganic material contained in the mummy’s wrappings and within the cranium. The mummy These findings allowed the joint engineering and biology research team from Northwestern to secure a visit to the Department of Energy’s Argonne National Laboratory in Lemont, Illinois. The Hibbard mummy became the first mummy to be analyzed using Advanced Photon Source synchrotron radiation. The high-brilliance X-ray beam has revealed more details about the specific non-organic materials located within the mummy wrappings.
The exhibition is organized by the Block Museum of Art at Northwestern University in collaboration with the McCormick School of Engineering, Weinberg College of Arts and Sciences and Feinberg School of Medicine.
Exhibition support for “Paint the Eyes Softer” is provided by the Barry and Mary Ann MacLean Fund for Art and Engineering, the Alumnae Continuing Education program funds of The Alumnae of Northwestern University, the Andrew W. Mellon Foundation, the Illinois Arts Council Agency, and the Alice Kaplan Institute for the Humanities. Additional support is provided by Block Museum Science and Technology Fund, Alsdorf Gallery at the Block Museum Fund and the Mary and Leigh Block Endowment. Exhibition sound design is thanks to Stephan Moore and students in the Sound Cultures seminar, Northwestern's School of Communication.