Picturing the Modern Metropolis: Prints and Photographs from The Block's Collection: Block Museum - Northwestern University
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Picturing the Modern Metropolis: Prints and Photographs from The Block's Collection

September 9-December 6, 2026
Henry Simon (American, born Poland, 1901 - 1995), Untitled (Wacker Drive and West Madison (old Chicago Daily News building in reflection)), ca. 1960, photograph. Mary and Leigh Block Museum of Art, Northwestern University, gift of Norbert Simon and David Simon. 1997.28.96

Many twentieth century artists working in the US were drawn to the city as subject. The spectacle of high-rise buildings, the chaotic and dynamic street signs, and the relentless movements of urban crowds became central visual tropes in photographs and prints that captured the cityscapes of places like Chicago and New York. Using modernist approaches of abstraction, simultaneity, and fragmentation artists sought to convey the sensory atmosphere of places that we often share with each other. In experimenting with modernist forms of depicting the city, these artists were also proposing new ways of understanding it and its democratic potential.

As people from different backgrounds settled in large American cities, the city also became a testing ground for how to live alongside each other. Many artists, especially immigrants and children of immigrants, who settled in large US cities, saw in lively street scenes the
possibility of becoming part of a place where people of many classes and backgrounds share sidewalks, buildings, and bus stops.

The exhibition includes over 90 photographs and prints from the Block’s collection focusing primarily on the 1930s through the 1980s. It brings together well-known artists like Edward Steichen, Martin Lewis, Vivian Maier, and Andy Warhol, as well as Chicago-based artists Henry Simon and Yuichi Idaka. While some of the artists were born in the US, many of the were immigrants who experienced American life as a new chapter, but each of them consistently engaged with the city as subject in their practice, focusing on the sensory and visual experiences of cities.

These artworks invite us to reconsider our cities as sites with boundless possibilities. They may compel us to ask critical questions about the historical role and promise of modern cities. They can also ask us to think about the future of urban experience, and the present challenges to achieve more livable and sustainable communities.

Picturing the Modern Metropolis: Prints and Photographs from The Block's Collection is curated by Eduardo Bello, 2025–26 Interdisciplinary Graduate Fellow, and Corinne Granof, Academic Curator, at The Block Museum of Art. 

double exposure of New York City skyscrapers

Edward Steichen (American, born Luxembourg, 1879 - 1973), Radio City, New York, 1932

Photograph, Gelatin silver print, overall: 9 1/2 in x 7 5/8 in, Mary and Leigh Block Museum of Art, Northwestern University, gift of the Hollander Family in honor of Alissa Schapiro, 2016.15.36
Drawing of bridge over Chicago river from edge of river walk, large building in backdrop

Henry Simon (American, born Poland, 1901 - 1995), Chicago Scene, 1931

Drawing, Gouache and pencil on paper, overall: 7 in x 4 7/8 in, Mary and Leigh Block Museum of Art, Northwestern University, gift of Norbert Simon and David Simon, 1997.28.10
Upward view of suspension cables on bridge from beneath towering pylons

Edward Steichen (American, born Luxembourg, 1879 - 1973), George Washington Bridge, New York, 1931

Photograph, Gelatin silver print, image: 9 3/4 in x 7 5/8 in; secondary support: 10 1/8 in x 8 1/4 in; sheet: 10 in x 8 in, Mary and Leigh Block Museum of Art, Northwestern University, gift of the Hollander Family in honor of Morton and Mimi Schapiro, 2012.10.28
Painting of cop directing traffic in front of crowd and angled skyscrapers

Henry Simon (American, born Poland, 1901 - 1995), B&K stage poster detail (cityscape with traffic cop), ca. 1930

Painting, Tempera, overall: 12 3/8 in x 9 3/4 in, Mary and Leigh Block Museum of Art, Northwestern University, gift of Norbert Simon and David Simon, 1997.28.4
blurred figure stands underneath theater marquee with view of street in background

David Jones (American, born 1950), Subtitle Revisited, 2002

Print, Color lithograph collage with colored pencil additions and polyurethane mounted on board, plate/image: 20 1/8 in x 16 5/8 in; sheet/object: 21 1/16 in x 27 1/2 in, Mary and Leigh Block Museum of Art, Northwestern University, gift of David Jones, 2006.12
black background with curling shapes of lights from carnival rides

Charles E. Cooper (American, 1922 - 1993), Untitled (Carnival Lights), mid-20th century

Photograph, Gelatin silver print, overall: 10 3/8 in x 13 7/8 in, Mary and Leigh Block Museum of Art, Northwestern University, Gift of the Charles E. Cooper Estate, 1996.4.3
upward view of people standing on semi-translucent glass floor

Larry Merrill (American, born 1948), NYC, 2005, printed 2009

Photograph, Dye coupler print (chromogenic print), image: 13 15/16 in x 14 in; sheet: 16 in x 16 in, Mary and Leigh Block Museum of Art, Northwestern University, gift of Larry Merrill in honor of Jane Merrill, Northwestern University Class of 2012, 2009.9.1
young Black boy holding small ball stands in front of group of police officers

Bev Grant (American, born 1942), Boy with a ball in front of the 9th Precinct, New York, Summer 1971, 1971, printed 2023

Photograph, Gelatin silver print, image: 8 15/16 × 5 15/16 in. (22.7 × 15.1 cm) sheet: 9 15/16 × 8 in. (25.2 × 20.3 cm), Mary and Leigh Block Museum of Art, Northwestern University, Irwin and Andra S. Press Collection Endowment Fund purchase, 2023.4.17
abstract pring of large eye and several figures in front of jumble of city details

William Gropper (American, 1897 - 1977), Environment, from the portfolio The Capriccios, ca. 1955

Print, Lithograph, plate/image: 14 1/8 in x 10 in; sheet/object: 16 1/2 in x 12 1/2 in, Mary and Leigh Block Museum of Art, Northwestern University, gift of Evelyn Salk in memory of her husband, Erwin A. Salk, 2001.21.13
drawing of several nightclub buildings together

Henry Simon (American, born Poland, 1901 - 1995), Untitled (set design of club scene in urban area), ca. 1930

Drawing, Gouache, overall: 11 7/8 in x 8 7/8 in, Mary and Leigh Block Museum of Art, Northwestern University, gift of Norbert Simon and David Simon, 1997.28.196