From the 1950s through the 1980s, painters and sculptors throughout the Arab world explored the challenges and possibilities of abstraction in art. “Taking Shape”, an exhibition of works from the collection of the Barjeel Art Foundation in Sharjah, United Arab Emirates (UAE), presents the work of Middle Eastern and North African artists whose creative visions stretched beyond the boundaries of representation. Including artists originating from or working in Algeria, Egypt, Iraq, Kuwait, Lebanon, Morocco, Palestine, Sudan, Syria, Tunisia and the UAE, this exhibition, organized by the Grey Art Gallery at NYU, reveals the global reach and regional importance of abstraction in the 20th century.
Ranging from the hard-edged to the dreamlike, the nearly 80 works in “Taking Shape” reveal a variety of formal approaches and cultural sources. Compositions by Omar El Nagdi of Egypt and Hussein Madi of Lebanon take inspiration from Arabic calligraphic forms, while human and animal contours emerge from the canvases of Iraqi painter Dia Azzawi and Kuwaiti mixed-media artist Munira al-Kazi. Elsewhere, the exhibition explores intricate geometries of color and line, as in the silkscreens of Palestinian artist Kamal Boullata. From earthly to celestial, fluid to precise, the works in “Taking Shape” suggest the inexhaustible richness of non-objective approaches to painting, sculpture and printmaking.
Though abstract, these diverse works reflect the larger cultural, intellectual and spiritual negotiations of the Arab world in the 20th century. “Taking Shape” illuminates these broad horizons, introducing visitors to the diverse schools and movements that developed within and across these nations in a time of heightened international dialogue and diaspora.
The exhibition will be on view at Grey Art Gallery at NYU from Jan. 14 to April 4, 2020 before coming to The Block. The exhibition is curated for The Block by Kathleen Bickford Berzock, associate director of curatorial affairs and Michael Metzger, Pick-Laudati Curator of Media Arts.
Nabil Nahas (Lebanese), Untitled, 1983
Omar el Nagdi (Egyptian), Untitled, 1970
Abdallah Benanteur (Algerian), To Monet, Giverny, 1983. Oil on canvas, 47 1/4 x 47 1/4 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
Mohamed Melehi (Moroccan), Composition, 1970
Etel Adnan (Lebanese), Untitled, 1963–1964
Taking Shape: Abstraction from the Arab World, 1950s–1980s is organized by the Grey Art Gallery, New York University, and curated by Suheyla Takesh and Lynn Gumpert. Major support for the exhibition is provided by the Barjeel Art Foundation. Additional generous support is provided by the Charina Endowment Fund; the Violet Jabara Charitable Trust; the Grey’s Director’s Circle, Inter/National Council, and Friends; and the Abby Weed Grey Trust. The Block’s presentation is partially supported by a grant from the Illinois Arts Council Agency.