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Scores: Between 1950 and 1970:
Kyle Gann,
from Painter Envy, The Village Voice, July 23, 1996.
"…For Feldman,
the image replaced the idea. The pairs of rocking, chromatic chords
in Why Patterns?, the dense and slowly modulating thicket of For Samuel
Beckett, the 12-tone row from Webern that makes sporadic appearances
in the String Quartet II, the reappearing languorous arpeggio in The
Viola in My Life - 1
of 3 |
