Edith A. Johnson, from Some Aspects of the Compositional Style of Morton Feldman, June 1985, NU Dissertation
"Through the first twenty years of his career Feldman develops a new sort of playing technique in which 1) sounds are generally as soft as possible and 2) all attacks are minimized. These two guidelines work together to blur the characteristic envelopes of traditional instruments, and give Feldman a unique palette with which to work. 1 of 4