The Block Museum and Block Cinema are frequently featured in national, regional and local media. Read our most recent stories below:
North by Northwestern: Block Museum sewing circle brings community together [Video] (February 8, 2017)
"To kick off the exhibit, Watt, who is Seneca and whose art is influenced by her Native American heritage, hosted a community sewing circle, an event she will use for inspiration to create a new piece the museum has commissioned from her." - Alejandra Fernandez
Mining Industry Today: Block Museum exhibit digs into photos of 1960s miners (February 8, 2017)
"The new photo-centered Block Museum of Art exhibit, 'Mining Pictures: Stories from Above and Below Ground,' explores the visual representation of industrialization and the plight of the common laborer."
Chicago Tribune: Block Museum exhibit digs into photos of 1960s miners (February 8, 2017)
"Taken together, the work of these two photographers offers an appraisal of the relationship between pictures and industry, the juxtapositions between scientific progress and human sentiment, which has shaped this endeavor since the advent of photography." - Gina Grillo
Brit+Co: 10 Museums That Will Cure a Broken Heart (February 7, 2017)
"In this exhibit, contemporary artists explore the pain and heartbreak caused by major national events, like the Japanese internment camps and bloody conflicts between Native Americans and the US government." - Angela Velez
Chicago Now: Year of Public Art in Chicago: What's ahead for 2017 (February 7, 2017)
"The Wall of Respect, guest curated by Romi Crawford, Abdul Alkalimat and Rebecca Zorach will be the subject of many events and exhibitions throughout Chicago and Evanston. The original wall–-a collection of 14 designers, photographers, painters and others--resulted in a seminal mural for and within Chicago’s Black South Side communities. " - Carole Kuhrt Brewer
"However, it is these histories – told by people often relegated to the margins – which constitute this country's past, in all its glory and grotesque. If You Remember, I'll Remember, the Block Museum's main exhibit for the season, is an exploration of these forgotten histories, rooted deeply in the personal." - Stacy Tsai
The Lisa D Show: The Lisa D Show with Kristine Aono [Audio Interview] (February 3, 2017)
"Aono's 'sculpture and installations are narrative in nature, reflecting [Aono's] identity as a Sansei, a third generation Japanese-American. [She] examines this hybrid cultural identity through topics such as acculturation, racial and sexual stereotyping, the WWII internment camps, and the history of [her] family in America.'"
Chicago Tribune: See it Now: Block Museum exhibit explores art and memory (February 2, 2017)
"The exhibit includes sculptures, installations, videos and other works created by seven contemporary artists. Their work serves as an invitation to reflect on our nation’s past while contemplating the present, through objects, sounds and images that unlock memories." - Louise Burton
Chicago Reader: Block Museum kicks off a season of urgent art with Kader Attia's 'Reflecting Memory' (February 2, 2017)
"'Reflecting Memory' explores similar themes of heritage and the impact of relationships among various versions of history—the ways we remember events separately and together, and how those memories might shift over time." - Lee Ann Norman
The Daily Northwestern: Block Museum exhibition connects past to present, emphasizes necessity of rememberance (February 2, 2017)
"(Robleto's essay) ends with this larger call for the necessity of all of us to remember the stories of the people who come before us because, if that process of engaging with the past isn’t active, then there’s this possibility of things being completely forgotten." - Janet Dees, speaking to Hayley Krolik
Bad at Sports: Top V. Weekend Picks (February 2, 2017)
Founded in 2005 by Duncan MacKenzie, Richard Holland, and Amanda Browder, Bad at Sports (B@S) now features over 20 principal collaborators and is a weekly podcast, a series of objects, events, and a daily blog produced in Chicago, San Francisco, Detroit and New York City
NS Magazine: Starving Artists (February 1, 2017)
"Six artists examine the United States' struggles with xenophobia, racism, and immigration at Northwestern University's Mary and Leigh Block Museum of Art's upcoming exhibit, If You Remember, I'll Remember."
NS Magazine: Fab 5: Thoughtful Winter (February 1, 2017)
"From the Congo to Paris, French-Algerian artist Kader Attia mesmerizes audiences with exhibitions exploring the clash of cultures from colonialism to our modern world."
Make it Better: 5 Things to Do: Feb 3-5 (January 31, 2017)
"The latest exhibit at Northwestern’s Block Museum of Art features pieces examining love, war, resistance, civil rights and more in the 19th and 20th centuries." - Anna Carlson
Digital Learning Northwestern: Innovating Materials Science for Art's Sake (January 31, 2017)
"Says Dr. Walton, 'It’s a project-based class where the students invest themselves in understanding how art and artifacts are created, a burgeoning field called ‘Technical Art History,’ where science, technology, and art merge.'"
Sixty Inches From Center: February Art Picks (January 30, 2017)
If You Remember, I'll Remember and Dreams are Colder than Death are highlighted as February art picks.
"In his Block Museum installation, Attia expands on his long-term exploration of repair, both of the body and of society, and probes the legacies of colonialism, slavery and xenophobia."
Artnet: Kader Attia Argues for Reparations and “Repair” at Lehmann Maupin (January 27, 2017)
"It’s fair to say that Kader Attia is having a moment. The Paris-born artist, who is known for his work on the legacy of colonialism, was awarded the prestigious Prix Marcel Duchamp last October. His second exhibition at Lehmann Maupin coincides with his work being on view at Paris’ Centre Georges Pompidou, as well as with a solo show this month at the Block Museum of Art in Evanston, Illinois." - Christian Viveros-Fauné
Time Out: 48 exciting openings in Chicago in February (January 25, 2017)
"Reflect on the past and its tendency to echo through the present via works displayed in the Block Museum's group exhibition,'If You Remember, I'll Remember.'" - Grace Perry
Crain's: Where to go this week, what to plan for later (January 18, 2017)
"Attia cooked up new pieces for the exhibition using resources all across Northwestern University, from the predictable, such as the collections of the library of African studies, to the surprising, like interviews with faculty at the Rehabilitation Institute." - Graham Meyer
The Daily Northwestern: Block Museum exhibition explores loss, trauma (January 18, 2017)
"Overall, this narrative forces us to think about the repair and healing after different sorts of trauma over time and the similarities and differences in the responses that (global tragedies) generate" - Antawan Bird, speaking to Gabby Grossman
Blouin ArtInfo: Contradictory Truths: Kader Attia's Video Dialogues at Lehmann Maupin (January 18, 2017)
"I have always been working on a process of repair — the word we are living in is full of material and immaterial injuries — that the economic and political order of power endlessly denies." - Kader Attia in inveterview with Juliet Helmke
Artforum: Good Charlotte (January 10, 2017)
"In the exhibition’s catalogue, musicologist Jason Rosenholtz-Witt details how Moorman listed multiple solutions for each of the composition’s many technical challenges. This palimpsest of possibilities helped Moorman tailor her renditions to specific contexts, whether Carnegie Hall or Johnny Carson." - Colby Chamberlain
Time Out: 28 exciting openings in Chicago in January (December 29, 2016)
"The Block Museum presents newly-commissioned work by "Kader Attia," which compares Western and non-Western approaches to history and tradition." - Grace Perry
Chicago Tribune: Winter preview: 10 art shows not to miss (December 28, 2016)
"The largest collection of Africana in existence is sure to generate a provocative response from Attia, who in past installations has used materials ranging from couscous to foil and carved wood in response to histories of slavery and xenophobia." - Lori Waxman